Teenage Kicks (2016) HD Movie

๐‘ป๐’†๐’†๐’๐’‚๐’ˆ๐’† ๐‘ฒ๐’Š๐’„๐’Œ๐’” (๐Ÿ๐ŸŽ๐Ÿ๐Ÿ”)
“Growing up was never meant to be simple. Especially when the truth lives inside you.”
๐ŸŽฌ Rating: โ˜…โ˜…โ˜…โ˜…โ˜†
๐ŸŽญ Genre: LGBTQ+ Drama, Coming-of-Age, Indie
โญ Starring: Miles Szanto, Daniel Webber, Charlotte Best
๐ŸŽฅ Directed by: Craig Boreham

Plot Summary:
Teenage Kicks (2016) follows Miklรณs Varga (Miles Szanto), a 17-year-old boy grappling with the chaotic mess of adolescence โ€” grief, guilt, and a growing realization about his identity. After the sudden death of his older brother, Mik navigates the fractured terrain of family, desire, and self-discovery in the rough suburbs of Sydney. Torn between cultural expectations and a yearning he can no longer deny, Mik’s coming-of-age journey becomes an emotional free fall into love, loss, and truth.

Artistic Analysis:
Director Craig Boreham crafts a film that is gritty yet poetic โ€” handheld intimacy meets raw realism. The cinematography is soaked in dusk tones and silence, allowing emotion to build in glances and spaces rather than heavy dialogue. Itโ€™s an unfiltered look at youth: messy, unsure, often painful, and undeniably human.

Performances:
Miles Szanto delivers a deeply vulnerable performance โ€” equal parts restrained and explosive. He carries the emotional weight of the film with authenticity and depth. Daniel Webber, as Mikโ€™s best friend and object of hidden affection, brings quiet complexity to a role that couldโ€™ve easily fallen into stereotype. The supporting cast, especially Charlotte Best, adds warmth and tension in all the right places.

Emotional Tone:
Tender and tragic, but never melodramatic. Teenage Kicks speaks softly about identity and grief, but its message echoes loudly: that being seen โ€” truly seen โ€” is one of the bravest parts of growing up. The film doesnโ€™t offer easy answers, but it gives something more honest: recognition.

Final Thoughts:
Teenage Kicks (2016) is a bittersweet snapshot of youth, identity, and aching truths buried beneath the surface. Itโ€™s not a coming-out film โ€” itโ€™s a coming-through one. A quiet indie gem that will resonate long after the credits roll.